By this I mean that we no longer have a shut down system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Uchiyama is Avion En Papier Simple A Realiser reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are filled with slitting to achieve ear or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the legs. Rohm folded his Circus pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the Avion En Papier Tutoriel complexities of a model achieved exclusively by folding.
Kent du Pre has done such work on Symmetric figures such as stars from which flowers can be folded. Irregular figures have came out occasionally, nevertheless the most extreme form occurs in Paper Magic with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper trimming. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent mention of the techniques is by Toshie Takahama who refers to it as
Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modeling particularly if foil has recently been used and one can be certain of the substance remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper seems to be Japanese in origin was demonstrated
by Yoshizawa at a Convention in Luton. Another method of moist moulding using paste in the preparation is talked about by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds tend to be soft and we are approaching figurine rather than Origami.
Fleur en papier
The cutting out of holes etc. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means Avion En Papier Qui Vole Super Bien crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and plainly here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form we might use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or cards. One of the most unusual form of 'display mechanics' that I actually am familiar with is by Toyoaki Kawai.
Bateau en papier
The particular associated arts are Origami Crane Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for their own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of papers each folded to represent some part of the creature and then brought Mon Bateau De Papier Jean Humenry together. The concept may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have came out for folding a monster from a number of pieces of different sizes.
Comment faire un avion en papier
Inside the most extreme mixtures of water and paper we are, of course , in the world of papier-mache which is obviously an open-ended art. DecoratingThe most basic step from the single coloring is one side female and one white or plain. A great offer of modern Origami uses this colour difference. The delightful example is Joan Homewood's Robin. We can Avion En Papier Planeur Record use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for a special model. The end of this process is evidently the decoration of the final model and therefore into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then ribbon and finally string.